12/8/2023 0 Comments Colorista 3 premiere pro![]() UNIVERSE 3.3 | Getting Started with Glow.Getting Started with Universe Chromatic Aberration.Getting Started with Universe Hacker Text.CHEAP TRICKS #16 | Bill and Ted's VFXcellent Adventure.CHEAP TRICKS #17 | DUNE THE BEST WE CAN.CHEAP TRICKS #17.5 | Building VFX with Expression Controls.VFX Side Quest | Creating A Retro Video Game Look.It’s a terrific way of working and in this Video Insight I’ll take on a tour of this interface. Specifically, I love that this HSL Keyer maximizes the use of our limited screen real estate by allowing us to directly select the pixels we want to key… directly on the vectorscope itself! I love Colorista’s HSL Keyer User Interface This third instance is being used to isolate an element in the image and alter it by pulling a Hue Saturation Luma Key. ![]() The first two instances were used to do the initial contrast expansion, color balance, saturation, and shot matching. You’ll notice that I’m working in a third instance of the Colorista plug-in. Then, a member emailed me this week asking if I’d follow up and show the Keyer in action? This Insight is a follow-up to my original look at Colorista III ![]() It turned out, the bug was on the Final Cut Pro X side, which couldn’t handle the Colorista III HSL Keyer interface when it was at the end of a chain of multiple filters. At the time it had a bug that prevented me from showing you how I’d use Colorista III as a secondary tool, to select pixels using its HSL Keyer. As part of that series, we looked at Red Giant’s Colorista III color correction plug-in. The FCPX Desert Island Challenge: Follow UpĪ few months ago I wrapped my in-depth look at how I’d color correct in Final Cut X, if I had no option of color correcting in a dedicated color grading app. Tutorials / FCPX Desert Island Challenge / Exploring the Colorista III HSL Keyer in Final Cut Pro X Series ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |